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Title: Akasaka: Inn with serving maids/ 赤坂旅舎招婦ノ図 (Akasaka, ryosha shofu no zu)
Creator: Utagawa Hiroshige/ 歌川広重 (Signature: Hiroshige ga/ 広重画)
Description: Nishiki-e (Multicolored Print), ink and color on paper. The interior of an inn shows an inner courtyard and the rooms adjoining it. In the courtyard are a stone lantern and a tree growing to the height of the roof. In the room to the right, three geisha get ready in their toilette to entertain guests. On the left side, a guest reclines while the inn staff serves food. Further to the left, another guest is walking on the outer walkway, likely coming from a bath.
Series: The Sequel to the Scenes of the Fifty-three Stations of the Tokaido Road/東海道五十三驛風景續畫 (Tokaido gojusantsugi Fukei Tsuzukie)
Subject: Taverns (Inns) -- Japan -- Art; Japan -- Social life and customs -- Art; Wood-engraving, Japanese -- Edo period, 1600-1868; Art, Japanese -- Edo period, 1600-1868
Country: Japan
Local Identifier: NE1325.A5_T65_0049
Type: woodcuts (prints)
Collection: Japanese prints, illustrated books, and manuscripts
URI/handle: http://hdl.handle.net/1961/auislandora:100719
mods_typeOfResource_mt: still image

Title: Akasaka: On the Nawate Road, Yajirobei Takes Kitahachi for a Fox and Beats Him/ 赤坂縄手道にて弥次郎北八を狐とおもひててふちゃくする (Akasaka, Nawatemichi ni te Yajirobei Kitahachi o kitsune to omohite chochaku suru)
Creator: Utagawa Hiroshige/ 歌川広重 (Signature: Hiroshige ga/ 広重画)
Description: Nishiki-e (Multicolored Print), ink and color on paper. A road lined with tall pine trees cuts through vast rice fields, a crescent moon hangs overhead hidden slightly by the trees. In the foreground, one man beats the other with a stick, the print title tells us their names are Yajirobei and Kitahachi. Yaji and Kita are the main characters of a popular comical novel titled Tōkaidōchū Hizakurige (abbreviated to Hizakurige) written by Jippenshu Ikku. The book recounts the two men’s misadventures along the Tokaido road. In this scene Yaji has mistaken Kita for a fox spirit or Kitsune, which are known in Japanese folklore to be powerful tricksters.
Series: Famous Sites of the Fifty-Three Stations/五十三次名所図会 (Gojusantsugi Meisho Zue)
Subject: Rural roads -- Japan -- Art; Landscapes -- Japan -- Art; Wood-engraving, Japanese -- Edo period, 1600-1868; Art, Japanese -- Edo period, 1600-1868
Country: Japan
Local Identifier: NE1325.A5_T64_0037
Type: woodcuts (prints)
Collection: Japanese prints, illustrated books, and manuscripts
URI/handle: http://hdl.handle.net/1961/auislandora:100650
mods_typeOfResource_mt: still image

Title: Akasaka/ 赤坂
Creator: Utagawa Hiroshige/ 歌川広重 (Signature: Hiroshige ga/ 広重画)
Description: Nishiki-e (Multicolored Print), ink and color on paper. A bird's eye view of a nighttime street scene. Various travelers pass on the road in front of a story Inn. Female inn attendants try to bring guests inside. On the second floor of the inn, the various rooms have their doors open revealing small vignette scenes of the guests and staff inside.
Series: The Fifty-three Stations of the Tokaido Road/ 東海道五十三次 (Tōkaidō gojūsan tsugi)
Subject: Taverns (Inns) -- Japan -- Art; Japan -- Social life and customs -- Art; Wood-engraving, Japanese -- Edo period, 1600-1868; Art, Japanese -- Edo period, 1600-1868
Country: Japan
Local Identifier: NE1325.A5_T66_0038
Type: woodcuts (prints)
Collection: Japanese prints, illustrated books, and manuscripts
URI/handle: http://hdl.handle.net/1961/auislandora:100775
mods_typeOfResource_mt: still image

Title: Akasaka/ 赤坂
Creator: Utagawa Hiroshige/ 歌川広重 (Signature: Hiroshige ga/ 広重画)
Description: Nishiki-e (Multicolored Print), ink and color on paper. Village scene with a road running through the center lined with towering trees and a grassy hill on either side in the foreground. Farther back on the road in the village street with low stone walls marking the beginning of the town. Above the whole scene is the full moon just slightly right of center in the sky.
Series: The Fifty-three Stations of the Tokaido Road/ 東海道五十三次 (Tōkaidō gojūsan tsugi)
Subject: Villages -- Japan -- Art; Landscapes -- Japan -- Art; Wood-engraving, Japanese -- Edo period, 1600-1868; Art, Japanese -- Edo period, 1600-1868
Country: Japan
Local Identifier: NE1325.A5_T67_0037
Type: woodcuts (prints)
Collection: Japanese prints, illustrated books, and manuscripts
URI/handle: http://hdl.handle.net/1961/auislandora:100831
mods_typeOfResource_mt: still image

Title: Arai: Ferryboat/ 荒井渡舟ノ図 (Arai, Watashibune no zu)
Creator: Utagawa Hiroshige/ 歌川広重 (Signature: Hiroshige ga/ 広重画)
Description: Nishiki-e (Multicolored Print), ink and color on paper. Entering from the left is a ferryboat filled with peasants. Past the ferryboat is the larger Daimyo boat marketed by flags, crests, and a screen indicating the Daimyo’s status and domain. On the other side of the water, coming from the right side of the composition, is a village in the distance surrounded by pines and hilly terrain.
Series: The Sequel to the Scenes of the Fifty-three Stations of the Tokaido Road/東海道五十三驛風景續畫 (Tokaido gojusantsugi Fukei Tsuzukie)
Subject: Boats and boating -- Japan -- Art; Landscapes -- Japan -- Art; Wood-engraving, Japanese -- Edo period, 1600-1868; Art, Japanese -- Edo period, 1600-1868
Country: Japan
Local Identifier: NE1325.A5_T65_0044
Type: woodcuts (prints)
Collection: Japanese prints, illustrated books, and manuscripts
URI/handle: http://hdl.handle.net/1961/auislandora:100714
mods_typeOfResource_mt: still image

Title: Arai/ 荒井
Creator: Utagawa Hiroshige/ 歌川広重 (Signature: Hiroshige ga/ 広重画)
Description: Nishiki-e (Multicolored Print), ink and color on paper. A view from on top of a hill overlooking the water and Mt. Fuji in white on the distant shore. The equally white sails of the ferry boats lead the eye back to Fuji. Right below the hill on the immediate shore travelers wait for the boats crossing the water toward them.
Series: The Fifty-three Stations of the Tokaido Road/ 東海道五十三次 (Tōkaidō gojūsan tsugi)
Subject: Coasts -- Japan -- Art; Fuji Mount (Japan) -- In art; Wood-engraving, Japanese -- Edo period, 1600-1868; Art, Japanese -- Edo period, 1600-1868
Country: Japan
Local Identifier: NE1325.A5_T66_0033
Type: woodcuts (prints)
Collection: Japanese prints, illustrated books, and manuscripts
URI/handle: http://hdl.handle.net/1961/auislandora:100770
mods_typeOfResource_mt: still image

Title: Arai/ 荒井
Creator: Utagawa Hiroshige/ 歌川広重 (Signature: Hiroshige ga/ 広重画)
Description: Nishiki-e (Multicolored Print), ink and color on paper. A group of travelers disembarks from a ferry on the right. Out in the water, other ships sail back and forth between the shores. To the left is a teahouse with a few pine trees around the building.
Series: The Fifty-three Stations of the Tokaido Road/ 東海道五十三次 (Tōkaidō gojūsan tsugi)
Subject: Shorelines -- Japan -- Art; Landscapes -- Japan -- Art; Wood-engraving, Japanese -- Edo period, 1600-1868; Art, Japanese -- Edo period, 1600-1868
Country: Japan
Local Identifier: NE1325.A5_T67_0032
Type: woodcuts (prints)
Collection: Japanese prints, illustrated books, and manuscripts
URI/handle: http://hdl.handle.net/1961/auislandora:100826
mods_typeOfResource_mt: still image

Title: Autumn Moon at Tama River/玉川秋月 (Tamagawa Akitsuki)
Creator: Utagawa Hiroshige/ 歌川広重 (Signature: Hiroshige ga/ 広重画)
Description: Nishiki-e (Multicolored Print), ink and color on paper. Fishermen line the softly sloped shores of Tama river. Willow tree branches blow delicately in the wind along with sparse river grasses. In the back the full moon hangs over the scene. In other versions of this print the moon is rendered with mica which is a metallic pigment that creates a striking shimmer in the print. The Tama river ran along Edo’s western border and in opposition to the Sumida that ran through the city and had metropolitan associations, the Tama had more rustic, poetic associations. It evokes images of the empty Musashino moor and the autumn moon. Poem signed Asanoyadō Massugu: The image of the moon in the autumn night which is luminous as day/ lingers on the Tama stream as the river lingers by the Twin Pines. (Translation by Metropolitan Museum of Art, New York)
Series: Eight views of the Environs of Edo/ 江戸近郊八景之内 (Edo Kinko Hakkei)
Subject: Rivers -- Japan -- Art; Landscapes -- Japan -- Art -- Art; Wood-engraving, Japanese -- Edo period, 1600-1868; Art, Japanese -- Edo period, 1600-1868
Country: Japan
Local Identifier: NE1325.A5_E4_0007
Type: woodcuts (prints)
Collection: Japanese prints, illustrated books, and manuscripts
URI/handle: http://hdl.handle.net/1961/auislandora:100575
mods_typeOfResource_mt: still image

Title: Chiryu: Early Summer Horse Fair/ 池鯉鮒首夏馬市 (Chiryu, shuka uma ichi)
Creator: Utagawa Hiroshige/ 歌川広重 (Signature: Hiroshige ga/ 広重画)
Description: Nishiki-e (Multicolored Print), ink and color on paper. As mentioned in the title, the horse fair is depicted. Horses, owners, and buyers stand amongst the green-yellow grass along the road. Father back under the tall tree in the center of the composition, a crowd of horse brokers gathers. The archive print is the second version of two that exist. This print does not include the background mountain present in the first version.
Series: The Sequel to the Scenes of the Fifty-three Stations of the Tokaido Road/東海道五十三驛風景續畫 (Tokaido gojusantsugi Fukei Tsuzukie)
Subject: Horses -- Japan -- Art; Fairs -- Japan -- Art; Wood-engraving, Japanese -- Edo period, 1600-1868; Art, Japanese -- Edo period, 1600-1868
Country: Japan
Local Identifier: NE1325.A5_T65_0052
Type: woodcuts (prints)
Collection: Japanese prints, illustrated books, and manuscripts
URI/handle: http://hdl.handle.net/1961/auislandora:100722
mods_typeOfResource_mt: still image

Title: Chiryu: The Former site of the Irises at Eightbridge Village/ 池鯉鮒八つ橋村杜若の古蹟 (Chiryu, Yatsuhashimura kakitsubata no koseki)
Creator: Utagawa Hiroshige/ 歌川広重 (Signature: Hiroshige ga/ 広重画)
Description: Nishiki-e (Multicolored Print), ink and color on paper. Travelers rest by one of the two twisted ancient pine trees that hang over the water. Behind the group of travelers, a small stone pagoda is framed in the curve of one of the trees. The title of the print indicates that this was once the site for the irises at Yatsuhashi which is a reference to The Tales of Ise. In the story the unnamed protagonist encounters an eight plank bridge over a river surrounded by irises and he composes a romantic poem.
Series: Famous Sites of the Fifty-Three Stations/五十三次名所図会 (Gojusantsugi Meisho Zue)
Subject: Rural roads -- Japan -- Art; Landscapes -- Japan -- Art; Wood-engraving, Japanese -- Edo period, 1600-1868; Art, Japanese -- Edo period, 1600-1868
Country: Japan
Local Identifier: NE1325.A5_T64_0040
Type: woodcuts (prints)
Collection: Japanese prints, illustrated books, and manuscripts
URI/handle: http://hdl.handle.net/1961/auislandora:100653
mods_typeOfResource_mt: still image

Title: Chiryu/ 地鯉鮒
Creator: Utagawa Hiroshige/ 歌川広重 (Signature: Hiroshige ga/ 広重画)
Description: Nishiki-e (Multicolored Print), ink and color on paper. A procession of six porters carrying luggage for a shrine or festival walks the path under cryptomeria trees that line the path. In the distance, there are miles of rice fields and mountains on the horizon.
Series: The Fifty-three Stations of the Tokaido Road/ 東海道五十三次 (Tōkaidō gojūsan tsugi)
Subject: Processions -- Japan -- Art; Landscapes -- Japan -- Art; Wood-engraving, Japanese -- Edo period, 1600-1868; Art, Japanese -- Edo period, 1600-1868
Country: Japan
Local Identifier: NE1325.A5_T66_0041
Type: woodcuts (prints)
Collection: Japanese prints, illustrated books, and manuscripts
URI/handle: http://hdl.handle.net/1961/auislandora:100778
mods_typeOfResource_mt: still image

Title: Chiryu/ 池鯉鮒
Creator: Utagawa Hiroshige/ 歌川広重 (Signature: Hiroshige ga/ 広重画)
Description: Nishiki-e (Multicolored Print), ink and color on paper. A procession of sacred horses enters the village street from the right side. People watch from the shops and tea houses along the left side of the image. Behind the row of buildings large dark tress hang over the scene, slightly bending in the wind.
Series: The Fifty-three Stations of the Tokaido Road/ 東海道五十三次 (Tōkaidō gojūsan tsugi)
Subject: Processions -- Japan -- Art; Villages -- Japan -- Art; Wood-engraving, Japanese -- Edo period, 1600-1868; Art, Japanese -- Edo period, 1600-1868
Country: Japan
Local Identifier: NE1325.A5_T67_0040
Type: woodcuts (prints)
Collection: Japanese prints, illustrated books, and manuscripts
URI/handle: http://hdl.handle.net/1961/auislandora:100834
mods_typeOfResource_mt: still image

Title: Clearing Weather at Shibaura/ 芝浦晴嵐 (Shibaura Seiran)
Creator: Utagawa Hiroshige/ 歌川広重 (Signature: Hiroshige ga/ 広重画)
Description: Nishiki-e (Multicolored Print), ink and color on paper. Two boats are moored at Shiba Bay along the right side. Clouds drift close to the horizon line and allow the silhouette of the trees to stand out. The orange glow of the clouds indicate the approaching evening. Buildings line the banks of the bay on the left side. Poem: Dead leaves on Gotenyama Hill/ Are blown up the the sky by the wind./ Fishing boats are scattered away/ On the bay of Eo at Shibaura.
Series: Eight views of the Environs of Edo/ 江戸近郊八景之内 (Edo Kinko Hakkei)
Subject: Boats and boating -- Japan -- Art; Landscapes -- Japan -- Art -- Art; Wood-engraving, Japanese -- Edo period, 1600-1868; Art, Japanese -- Edo period, 1600-1868
Country: Japan
Local Identifier: NE1325.A5_E4_0003
Type: woodcuts (prints)
Collection: Japanese prints, illustrated books, and manuscripts
URI/handle: http://hdl.handle.net/1961/auislandora:100571
mods_typeOfResource_mt: still image

Title: Colophon: The Sequel to the Scenes of the Fifty-three Stations of the Tokaido Road/東海道五十三驛風景續畫 (Tokaido gojusantsugi Fukei Tsuzukie)
Creator: Utagawa Hiroshige/ 歌川広重 (Signature: Hiroshige ga/ 広重画)
Series: The Sequel to the Scenes of the Fifty-three Stations of the Tokaido Road/東海道五十三驛風景續畫 (Tokaido gojusantsugi Fukei Tsuzukie)
Subject: Colophons; Art, Japanese -- Edo period, 1600-1868
Country: Japan
Local Identifier: NE1325.A5_T65_0003
Type: woodcuts (prints)
Collection: Japanese prints, illustrated books, and manuscripts
URI/handle: http://hdl.handle.net/1961/auislandora:100673
mods_typeOfResource_mt: still image

Title: Descending Geese at Haneda/ 羽根田落雁 (Haneda Rakugan)
Creator: Utagawa Hiroshige/ 歌川広重 (Signature: Hiroshige ga/ 広重画)
Description: Nishiki-e (Multicolored Print), ink and color on paper. Geese descend down to the marshy land of Haneda. At the center of the composition in a tree filled grove a shrine is marked by the torii gate at the end of the grassy path. Two figures can be seen walking away from the shrine. In the distance sails can be seen just past the marsh grasses. The area depicted in this print would become the site for Tokyo’s Haneda airport today. Poem: Over the marsh at Haneda/ Wild geese are descending/ Like a ladder from the sky (Translation by Metropolitan Museum of Art, New York)
Series: Eight views of the Environs of Edo/ 江戸近郊八景之内 (Edo Kinko Hakkei)
Subject: Marshes -- Japan -- Art; Landscapes -- Japan -- Art -- Art; Wood-engraving, Japanese -- Edo period, 1600-1868; Art, Japanese -- Edo period, 1600-1868
Country: Japan
Local Identifier: NE1325.A5_E4_0006
Type: woodcuts (prints)
Collection: Japanese prints, illustrated books, and manuscripts
URI/handle: http://hdl.handle.net/1961/auislandora:100574
mods_typeOfResource_mt: still image

Title: Ejiri: Distant view of Miho/ 江尻三保遠望 (Ejiri, Miho enbo)
Creator: Utagawa Hiroshige/ 歌川広重 (Signature: Hiroshige ga/ 広重画)
Description: Nishiki-e (Multicolored Print), ink and color on paper. Ships dock in groups near the shore in the foreground, alongside a village by the water. Some of the sailing ships have their sails up and are moving out to open water leading the eye back to the various ships sailing in the misty water going all the way back to the horizon. To the left side, there is a grouping of mountains.
Series: The Sequel to the Scenes of the Fifty-three Stations of the Tokaido Road/東海道五十三驛風景續畫 (Tokaido gojusantsugi Fukei Tsuzukie)
Subject: Sailing ships -- Japan -- Art; Landscapes -- Japan -- Art; Wood-engraving, Japanese -- Edo period, 1600-1868; Art, Japanese -- Edo period, 1600-1868
Country: Japan
Local Identifier: NE1325.A5_T65_0031
Type: woodcuts (prints)
Collection: Japanese prints, illustrated books, and manuscripts
URI/handle: http://hdl.handle.net/1961/auislandora:100701
mods_typeOfResource_mt: still image

Title: Ejiri/ 江尻
Creator: Utagawa Hiroshige/ 歌川広重 (Signature: Hiroshige ga/ 広重画)
Description: Nishiki-e (Multicolored Print), ink and color on paper. The white sails of boats fill the waters in the midground of the image. In the foreground at the bottom of the image the small figures of fishermen idle on the green forested shore. Beyond the water are the foothills of Fuji rendered in shades of soft salmon pink. On the horizon at the center is My. Fuji is white and grey against a blue, yellow gradient sky.
Series: The Fifty-three Stations of the Tokaido Road/ 東海道五十三次 (Tōkaidō gojūsan tsugi)
Subject: Landscapes -- Japan -- Art; Fuji Mount (Japan) -- In art; Wood-engraving, Japanese -- Edo period, 1600-1868; Art, Japanese -- Edo period, 1600-1868
Country: Japan
Local Identifier: NE1325.A5_T66_0020
Type: woodcuts (prints)
Collection: Japanese prints, illustrated books, and manuscripts
URI/handle: http://hdl.handle.net/1961/auislandora:100757
mods_typeOfResource_mt: still image

Title: Evening Bell at Ikegami/ 池上晩鐘 (Ikegami no Bansho)
Creator: Utagawa Hiroshige/ 歌川広重 (Signature: Hiroshige ga/ 広重画)
Description: Nishiki-e (Multicolored Print), ink and color on paper. Depicted is the Ikegami Honmonji temple that was completed in 1282 and founded by Buddhist priest and philosopher Nichiren. The site is thought to be where Nichiren passed away. This is referenced in the accompanying poem that mentions the founder going to Nirvana. The landscape is rendered in a series of dark and washed out blues creating a misty poetic quality. The red temple building stands out among the forest grove it is settled in. At the foot of the hill is a small town occupied by temple visitors and vendors. Poem signed Shunkutei Tareyasu : By virtue of the truth of the Eight Scrolls,/ One prolongs one's age./ The founder of the temple went to Nirvana/ as the evening bell was striking. (Translation by Metropolitan Museum of Art, New York)
Series: Eight views of the Environs of Edo/ 江戸近郊八景之内 (Edo Kinko Hakkei)
Subject: Temples -- Japan -- Art; Landscapes -- Japan -- Art -- Art; Wood-engraving, Japanese -- Edo period, 1600-1868; Art, Japanese -- Edo period, 1600-1868
Country: Japan
Local Identifier: NE1325.A5_E4_0004
Type: woodcuts (prints)
Collection: Japanese prints, illustrated books, and manuscripts
URI/handle: http://hdl.handle.net/1961/auislandora:100572
mods_typeOfResource_mt: still image

Title: Evening Glow at Koganei Border/ 小金井橋夕照 (Kogane ihashi yushou)
Creator: Utagawa Hiroshige/ 歌川広重 (Signature: Hiroshige ga/ 広重画)
Description: Nishiki-e (Multicolored Print), ink and color on paper. Cherry Blossoms line the banks of the Koganei River. Travelers traverse the neighboring road and cross the bridge. Some have stopped to picnic and take in the view on rest platforms under the cherry blossoms on the right side. The horizon glows a faint orange and the accompanying poem reveals that it is sunset. Poem signed Taihaido Donsho : The glow of sunset at the end of a cloudy spring day/ Foretells tomorrow's weather in Koganei,/ Where cherry blossoms are in full bloom. (Translation by Metropolitan Museum of Art, New York)
Series: Eight views of the Environs of Edo/ 江戸近郊八景之内 (Edo Kinko Hakkei)
Subject: Rivers -- Japan -- Art; Landscapes -- Japan -- Art -- Art; Wood-engraving, Japanese -- Edo period, 1600-1868; Art, Japanese -- Edo period, 1600-1868
Country: Japan
Local Identifier: NE1325.A5_E4_0001
Type: woodcuts (prints)
Collection: Japanese prints, illustrated books, and manuscripts
URI/handle: http://hdl.handle.net/1961/auislandora:100569
mods_typeOfResource_mt: still image

Title: Evening Snow on Asuka Hill/ 飛鳥山暮雪 (Asukayama Bosetsu)
Creator: Utagawa Hiroshige/ 歌川広重 (Signature: Hiroshige ga/ 広重画)
Description: Nishiki-e (Multicolored Print), ink and color on paper. The sloping hillsides of Asuka are covered in sparse trees and white snow. Travelers walk on the snow covered path toward the village tucked into the bottom left corner. The print is speckled by snow that continues to fall. Poem signed Shōyōan Kōjin (or Takahito): The snow falling heavily in the dusk not only covers up signs / that warn against breaking branches of the cherry trees on Asuka Hill, but breaks down the branches, as well. (Translation by Cleveland Museum of Art)
Series: Eight views of the Environs of Edo/ 江戸近郊八景之内 (Edo Kinko Hakkei)
Subject: Winter -- Japan -- Art; Landscapes -- Japan -- Art -- Art; Wood-engraving, Japanese -- Edo period, 1600-1868; Art, Japanese -- Edo period, 1600-1868
Country: Japan
Local Identifier: NE1325.A5_E4_0008
Type: woodcuts (prints)
Collection: Japanese prints, illustrated books, and manuscripts
URI/handle: http://hdl.handle.net/1961/auislandora:100576
mods_typeOfResource_mt: still image

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