Nishiki-e (Multicolored Print), ink and color on paper. The interior of an inn shows an inner courtyard and the rooms adjoining it. In the courtyard are a stone lantern and a tree growing to the height of the roof. In the room to the right, three geisha get ready in their toilette to entertain guests. On the left side, a guest reclines while the inn staff serves food. Further to the left, another guest is walking on the outer walkway, likely coming from a bath.
Nishiki-e (Multicolored Print), ink and color on paper. A road lined with tall pine trees cuts through vast rice fields, a crescent moon hangs overhead hidden slightly by the trees. In the foreground, one man beats the other with a stick, the print title tells us their names are Yajirobei and Kitahachi. Yaji and Kita are the main characters of a popular comical novel titled Tōkaidōchū Hizakurige (abbreviated to Hizakurige) written by Jippenshu Ikku. The book recounts the two men’s misadventures along the Tokaido road. In this scene Yaji has mistaken Kita for a fox spirit or Kitsune, which are known in Japanese folklore to be powerful tricksters.
Nishiki-e (Multicolored Print), ink and color on paper. A bird's eye view of a nighttime street scene. Various travelers pass on the road in front of a story Inn. Female inn attendants try to bring guests inside. On the second floor of the inn, the various rooms have their doors open revealing small vignette scenes of the guests and staff inside.
Nishiki-e (Multicolored Print), ink and color on paper. Village scene with a road running through the center lined with towering trees and a grassy hill on either side in the foreground. Farther back on the road in the village street with low stone walls marking the beginning of the town. Above the whole scene is the full moon just slightly right of center in the sky.
Nishiki-e (Multicolored Print), ink and color on paper. Entering from the left is a ferryboat filled with peasants. Past the ferryboat is the larger Daimyo boat marketed by flags, crests, and a screen indicating the Daimyo’s status and domain. On the other side of the water, coming from the right side of the composition, is a village in the distance surrounded by pines and hilly terrain.
Nishiki-e (Multicolored Print), ink and color on paper. Looking down from the hill a village and temple entrance can be seen by the water. A line of ships leads the eye all the way to the opposite shore where the white silhouette of Fuji rises above the hills.
Nishiki-e (Multicolored Print), ink and color on paper. A view from on top of a hill overlooking the water and Mt. Fuji in white on the distant shore. The equally white sails of the ferry boats lead the eye back to Fuji. Right below the hill on the immediate shore travelers wait for the boats crossing the water toward them.
Nishiki-e (Multicolored Print), ink and color on paper. A group of travelers disembarks from a ferry on the right. Out in the water, other ships sail back and forth between the shores. To the left is a teahouse with a few pine trees around the building.
Nishiki-e (Multicolored print), ink and color on paper. Residents of Edo mingle on the open lawn surrounded by pines and cherry blossoms on Asuka hill. Just past the park is the shops of Edo and Mt. Fuji framed by the trees in the foreground. The compsoition is divided by the gradient blue sky and the vibrant green grass. The smooth contour of the hill seperates the two sections. Shogun Tokugawa Yoshimune planted cherry blossoms and opened the hill for the citizen of Edo. Later in 1873 Asuka would become one of the first public parks established in Meiji Japan. Site located in Oji, Kita, Tokyo.
Nishiki-e (Multicolored Print), ink and color on paper. A sheer cliff face topped with pine trees in the foreground creates an immediate and strong composition. This monolith feature creates a doorway to view the bay leading to the shore of Honmoku where cherry blossoms can be seen blooming in a bright patch of pink at the base of Mt. Fuji. Fuji is stark white outlined by a fukibokashi gradient of red. Site located in Honmoku, Naka, Yokohama.
Nishiki-e (Multicolored Print), ink and color on paper. As mentioned in the title, the horse fair is depicted. Horses, owners, and buyers stand amongst the green-yellow grass along the road. Father back under the tall tree in the center of the composition, a crowd of horse brokers gathers. The archive print is the second version of two that exist. This print does not include the background mountain present in the first version.
Nishiki-e (Multicolored Print), ink and color on paper. Travelers rest by one of the two twisted ancient pine trees that hang over the water. Behind the group of travelers, a small stone pagoda is framed in the curve of one of the trees. The title of the print indicates that this was once the site for the irises at Yatsuhashi which is a reference to The Tales of Ise. In the story the unnamed protagonist encounters an eight plank bridge over a river surrounded by irises and he composes a romantic poem.
Nishiki-e (Multicolored Print), ink and color on paper. A procession of six porters carrying luggage for a shrine or festival walks the path under cryptomeria trees that line the path. In the distance, there are miles of rice fields and mountains on the horizon.
Nishiki-e (Multicolored Print), ink and color on paper. A procession of sacred horses enters the village street from the right side. People watch from the shops and tea houses along the left side of the image. Behind the row of buildings large dark tress hang over the scene, slightly bending in the wind.
Nishiki-e (Multicolored Print), ink and color on paper. Ships dock in groups near the shore in the foreground, alongside a village by the water. Some of the sailing ships have their sails up and are moving out to open water leading the eye back to the various ships sailing in the misty water going all the way back to the horizon. To the left side, there is a grouping of mountains.
Nishiki-e (Multicolored Print), ink and color on paper. In the foreground small boats are pulled onto the shore along the Okitsu River. Alongside the two bats are fishing nets hung up, not yet in use. Sailing ships travel down the wide bend in the river, the sails completely unfurled. In the back Fuji is surrounded by wafting blue and red clouds.
Nishiki-e (Multicolored Print), ink and color on paper. The white sails of boats fill the waters in the midground of the image. In the foreground at the bottom of the image the small figures of fishermen idle on the green forested shore. Beyond the water are the foothills of Fuji rendered in shades of soft salmon pink. On the horizon at the center is My. Fuji is white and grey against a blue, yellow gradient sky.
Nishiki-e (Multicolored Print), ink and color on paper. Travelers walk the road in the foreground that is lined with houses and two large trees. To the left of the road are open green fields. The roofs of other buildings can be seen further back in the fields and the base of two green hills lined with pin trees. Fuji rises in the v created by the two hills. Clouds wrap around the base, revealing only its snow capped top.
Nishiki-e (Multicolored Print), ink and color on paper. Three women pass under the torii gate of Enoshima shrine on Enoshima island, a popular tourist spot even today. The three women are dressed in matching Yukata likely provided by the inn they are staying in. The building just off to the left could be said inn. Out in the water, boats ferry people between Enoshima and the mainland. In the distance Fuji sits framed by the torii gate. Site located in Fujisawa, Kanagawa.