In this interview, Karen Abbott describes how her mother, Norma Adkins, who was raised in Georgetown, made dioramas in the basement of their house in Petworth in the early 1970s following her retirement. A native Washingtonian who still resides in Petworth, Karen discusses the changes she's seen in Petworth.
Karen Abbott surmises that her mother may have rendered this scene of enslaved persons escaping on the Underground Railroad by drawing from a story she was told as a child. Men, women, and children are bundled in clothes to prepare for their journey, and Karen sees prayer, joy, and fear etched on their faces and evident through their figures.
Karen Abbott describes how her mother captured her grandmother’s kitchen in her house in Georgetown at 27 and N St. Karen believes the two children may be her mother and her brother, making the woman standing by the stove her grandmother, and the man in the chair her grandfather. Karen shares her own memories of this kitchen, where she was bathed in the old washtub. “Georgetown was home,” Karen states, and her mother was devastated when her grandmother sold the house in the 1950s, one sale of many prompted by and part of the neighborhood’s gentrification.
Karen Abbott discusses this diorama scene depicting a slave auction, where three enslaved persons in chains are being sold to white buyers while another enslaved man begs for their freedom. Each figure in the diorama is made from stockings and sculpey clay.
Karen Abbott surmises this scene was inspired by her mother’s attendance at a performance in a jazz club. The singer—who Karen believes may resemble Roberta Flack—is accompanied by a trio of musicians.
Karen Abbott surmises that this diorama depicts a pool hall in Georgetown where men gathered to play pool, gamble, and drink together. The cards and broken chairs on the floor are evidence of the arguments and brawls that broke out regularly in the pool hall.
Karen Abbott narrates this diorama scene set in a clothing store during Christmastime. She calls attention to the cashier, the husband waiting while his wife shops, and details like the hat rack, purse, and gloves on the counter.
Karen Abbott describes this classroom scene as inspired by her mother’s attendance at Thaddeus Stevens Elementary School in Georgetown. Her teacher, Mrs. Day is featured here, as is one male classmate who she remembered as frequently disruptive: he is captured turning around in his seat.
Karen Abbott narrates this diorama set in “Our Haven” park, located on the corner of Illinois and Hamilton St. in Petworth, where unhoused persons slept in the 1960s and 70s. A woman with her belongings in a shopping cart and an inebriated man under a tree occupy the park in this scene.
Adam Canaday is a Journeyman Coachman with the Colonial Williamsburg Foundation that runs the museums and historic houses and sites in Williamsburg, Virginia. Adam talks about his experiences working at Colonial Williamsburg since he was a small child. He addresses some of the issues that people of color face working at Colonial Williamsburg, especially when working as historical interpreters. This interview was conducted as part of class requirements for HIST:667 Oral History with Dr. Anna Kaplan in fall 2020.
The Humanities Truck participated in the 2021 “Adams Morgan Day” Festival, which focuses on the neighborhood of Adams Morgan and its culture, diversity, and history. Oral history interviews were conducted to gauge festival-goers' relationship to Adams Morgan, meaningful spaces in the neighborhood, and how those spaces may have changed over time. In this interview, Ama talks about enjoying Adams Morgan coffee shops and grading papers there before the pandemic. She also speaks about the changing city and gentrification.