Karen Abbott describes the diorama depicting a church choir, likely worshipping in the Brentwood AME Zion Church. The minister stands at the pulpit while the choir and piano player— Norma’s friend and Karen’s godmother—lead the congregation in song. According to Karen, this diorama was one of her mother’s favorites.
Karen Abbott describes this classroom scene as inspired by her mother’s attendance at Thaddeus Stevens Elementary School in Georgetown. Her teacher, Mrs. Day is featured here, as is one male classmate who she remembered as frequently disruptive: he is captured turning around in his seat.
Karen Abbott describes how her mother captured her grandmother’s kitchen in her house in Georgetown at 27 and N St. Karen believes the two children may be her mother and her brother, making the woman standing by the stove her grandmother, and the man in the chair her grandfather. Karen shares her own memories of this kitchen, where she was bathed in the old washtub. “Georgetown was home,” Karen states, and her mother was devastated when her grandmother sold the house in the 1950s, one sale of many prompted by and part of the neighborhood’s gentrification.
Karen Abbott surmises this scene was inspired by her mother’s attendance at a performance in a jazz club. The singer—who Karen believes may resemble Roberta Flack—is accompanied by a trio of musicians.
In this interview, Karen Abbott describes how her mother, Norma Adkins, who was raised in Georgetown, made dioramas in the basement of their house in Petworth in the early 1970s following her retirement. A native Washingtonian who still resides in Petworth, Karen discusses the changes she's seen in Petworth.
Miu Eng discusses how she first became interested in art, her childhood in DC, and her memories of DC's Chinatown. She elaborates on the themes of her four posters—"A People Emerging," "Strangers No More," "Working Together," and "Perseverance and Progress"—first created for Asian Pacific American Heritage Week in the early 1980s. She offers her thoughts on the ways Asian Americans find community in DC today through various organizations.
Karen Abbott describes this scene, titled “Nia’s Birthday,” adding that birthdays were a special holiday for her mother. A little girl, Nia, receives presents from her mother and father in their kitchen, where a cake has been prepared for the celebration.
Karen Abbott narrates this diorama set in “Our Haven” park, located on the corner of Illinois and Hamilton St. in Petworth, where unhoused persons slept in the 1960s and 70s. A woman with her belongings in a shopping cart and an inebriated man under a tree occupy the park in this scene.
The first part of an interview with Staughton and Alice Lynd where they discuss political activism, conscientious objection, loss, LGBT+ issues, and personal influences.
Karen Abbott surmises that this diorama depicts a pool hall in Georgetown where men gathered to play pool, gamble, and drink together. The cards and broken chairs on the floor are evidence of the arguments and brawls that broke out regularly in the pool hall.